Tuesday, 4 September 2012
Speed Painting - "Johnny Buzati"
1hr 30 minutes.
Used a few different source images for this, mainly this guy:
An extra from the "Gangam Style" video, that has taken the internet by craze. I really liked how obnoxious the character was and I started spinning a story around the character the instant I saw him. The extra is played by a Korean comedian called Yoo-Joe-Seok.
Johnny Buzati is the spoilt nephew of a well known 'mafia' boss. He comes from a powerful family, but he is a spoiled and spineless character. He commands some power because of his family ties, but none of his 'men' respect him.
He has probably yelled 'do you know who I am?!' at more than one point in his life. He has connections to A-list burnouts who mostly employ his company for social benefits (drugs and whores).
He will do inevitably do something stupid and he will be brutally murdered, his family will most likely look the other way.
Monday, 3 September 2012
30 Day Drawing Challenge - Day 14 - Favourite Fairytale
Day 14 - Favourite Fairytale:
Rapunzel.
I don't really have a favourite fairytale, but one of my favourite films based on a fairytale is Tangled. This is a quick concept piece which features the 'parade of lights' seen in the film.
Here are some thumbnails I did trying to plan the concept:
Sunday, 2 September 2012
30 Day Drawing Challenge - Day 13 - Comic
Day 13 - "Comic":
I actually had to draw this twice, because I accidentally closed the first one trying to see what the 'save file?' window looks like.
"Under The Ice"
Been working on this for about a week (on and off), one of my first 'finished' pieces. Couldn't get it to look quite how I wanted to but I'm fairly satisfied.
Source used for background (explained in earlier post), and small jeep silhouette. UFO / crash zone was made up as I went along, which ended up taking forever.
Saturday, 1 September 2012
30 Day Drawing Challenge - Most Recent Accomplishment
Day 12 - Most Recent Accomplishment:
Turning my brain on and actually being creative everyday. It might not sound like much, but it is for me.
30 Day Drawing Challenge - Day 9 - Favourite TV Show
Day 9 - Favourite TV Show:
Breaking Bad, in homage of The Good, The Bad and the Ugly.
I spent about three days on this on an off, reasons mostly because I've been busy with work / social life.
Kind of happy with the end result. Jesse looks nothing like Jesse, Walt's ok, Mike's probably the best part of the image for me. Ended up getting frustrated and just wanted to finish it.
Friday, 31 August 2012
30 Day Drawing Challenge - Day 11 - Turning point in your life
Day 11: Turning point in your life:
I don't believe I have come to any real turning points in my life yet.
Had to try and get this done before work, so it's rushed.
Thursday, 30 August 2012
30 Day Drawing Challenge - Day 10 - Favourite "candy"
Day 10 - Favourite "candy":
Double Decker.
Although half way through I realised I should have gone with these fellas...:
Day 9 is still in progress.
The Break, The Bad and The Ugly
I've started a new piece which is meant to be my 'favourite tv show' from the 30 day drawing challenge.
The show I decided to choose was...
Breaking Bad...one of my favourite shows on TV at the moment.
I decided to try and illustrate in a unique way, and somehow got influenced by a certain film poster:

I've always liked the general style of the poster, and I thought the 3 characters match up to the three protagonists in Season 5.
Anyway, here's a preview of what I've put together so far:
Hopefully you recognize the above character as a Mr. Michael Ehrmantraut.
It's been pretty hard trying to match the style of the above poster, it really is an illustration master piece. I'm fairly happy with the result I've achieved so far though.
I'm trying to get this finished but it may prove to be too much of a time sink, it's already a day late. Also I started the project in low-res which I really need to learn to stop doing.
The show I decided to choose was...
Breaking Bad...one of my favourite shows on TV at the moment.
I decided to try and illustrate in a unique way, and somehow got influenced by a certain film poster:

I've always liked the general style of the poster, and I thought the 3 characters match up to the three protagonists in Season 5.
Anyway, here's a preview of what I've put together so far:
Hopefully you recognize the above character as a Mr. Michael Ehrmantraut.
It's been pretty hard trying to match the style of the above poster, it really is an illustration master piece. I'm fairly happy with the result I've achieved so far though.
I'm trying to get this finished but it may prove to be too much of a time sink, it's already a day late. Also I started the project in low-res which I really need to learn to stop doing.
Wednesday, 29 August 2012
Life Drawing
Life drawing #3, about 30 mins. Kept the lines in because I thought I liked it...now i'm not so sure.
Source:
edit: Even though this is a study I really wish I had put more work into it, it's been bothering me all day how unfinished it looks.
Ay well.
Tuesday, 28 August 2012
30 Day Drawing Challenge - Day 8 - Favourite Animated Character
Day 8 - Favourite animated character:
Courage the Cowardly Dog.
Admittedly I've only ever actually seen a few episodes of this show, but I've always loved how pathetic it's main star is.
How I work
I thought I would share a little bit about how I have established my work set up when creating a new piece.
A few days ago I saw this photograph on a website called reddit:
I really liked the image and it got the old imagination spinning.
As I have not really done any environmental art yet, I decided this would be a good image to use as inspiration for a new piece.
I open the photo in photoshop, but the DPI up to 300 and set to work painting my interpretation of the image.
This is a screenshot I have taken about 2 hours into the project. The psd is split into three layers, a layer of the source image, which I placed to the left. A canvas layer, which is pretty much the entire painting one one layer, and a detail layer, to sharpen up the edges and work in any details I have missed on the canvas layer.
In the bottom right of the screen I have blown up the image to full resolution to show what it looks like. Very messy. Zoomed out however it gives me a good enough idea of how the piece is going to look when the image is compressed down.
Now I've got the base image established, I will go back to the image and work in the details so it looks more reasonable at full resolution.
After this I want to add a few scenery elements that are not in the original source photograph, which is where the conceptual art side of things come in.
The thing I like about this project is that I have not used any colour sourcing from the original photograph, and come up with the palette by myself. This is something I will probably be doing more when I work from source imagery as I think it ends up looking more interesting.
A few days ago I saw this photograph on a website called reddit:
I really liked the image and it got the old imagination spinning.
As I have not really done any environmental art yet, I decided this would be a good image to use as inspiration for a new piece.
I open the photo in photoshop, but the DPI up to 300 and set to work painting my interpretation of the image.
This is a screenshot I have taken about 2 hours into the project. The psd is split into three layers, a layer of the source image, which I placed to the left. A canvas layer, which is pretty much the entire painting one one layer, and a detail layer, to sharpen up the edges and work in any details I have missed on the canvas layer.
In the bottom right of the screen I have blown up the image to full resolution to show what it looks like. Very messy. Zoomed out however it gives me a good enough idea of how the piece is going to look when the image is compressed down.
Now I've got the base image established, I will go back to the image and work in the details so it looks more reasonable at full resolution.
After this I want to add a few scenery elements that are not in the original source photograph, which is where the conceptual art side of things come in.
The thing I like about this project is that I have not used any colour sourcing from the original photograph, and come up with the palette by myself. This is something I will probably be doing more when I work from source imagery as I think it ends up looking more interesting.
Monday, 27 August 2012
30 Day Drawing Challenge - Day 7 - Favourite Word
Day 7 - Favourite Word:
Debacle - A sudden and ignominious failure; a fiasco.
Debacle is an old time word that probably reached it's peak at some point in the 1920s. Those halcyon days of eggs and coffee. Back then a woman was called a dame and a disagreement was simply called murder.
Pronounced 'de-bark-el', you might be able to guess how I arrived at the above picture.
Debacle - A sudden and ignominious failure; a fiasco.
Debacle is an old time word that probably reached it's peak at some point in the 1920s. Those halcyon days of eggs and coffee. Back then a woman was called a dame and a disagreement was simply called murder.
Pronounced 'de-bark-el', you might be able to guess how I arrived at the above picture.
Sunday, 26 August 2012
30 Day Drawing Challenge - Day 6 - Favourite Book Character
Day 6 - Favourite book character (Can't be a movie):
Smaug the dragon - The Hobbit (technically not a film...yet)
I always liked Smaug, he gets to sit on a pile of gold all day and kills people he doesn't like. Where can it go wrong?
Life drawing
Life drawing, the mark of any good digital artist. Both are from source images and done on the same day (Aug 26 Sunday) - the ballerina one is a bit stunted, the legs aren't really long enough, but I kept it that way to remind myself about proportion.
Image #2 was done immediately after, and I think there is already an improvement from #1. Again it's been about 4 years since I've done life drawing, so getting back into it is a learning process.
30 Day Drawing Challenge - Day 5 - Best Friend
Day 5 - Best Friend:
This image really isn't meant to be as emo as it comes off haha. I was in a pretty lame mood when I painted this though and didn't really want to pick one friend. Again the source image was a google image search for 'empty chair'.
I could not be bothered when it came to painting this - took about 10 minutes, which is why it looks like shit.
/teenage girl
This image really isn't meant to be as emo as it comes off haha. I was in a pretty lame mood when I painted this though and didn't really want to pick one friend. Again the source image was a google image search for 'empty chair'.
I could not be bothered when it came to painting this - took about 10 minutes, which is why it looks like shit.
/teenage girl
30 Day Drawing Challenge - Day 4 - Favourite Place
Day 4 - Favourite Place:
So this isn't a specific place...and not actually a place I've ever been to. The place in general is 'a country road on a bright autumn day', and this was the best source image I could find.
Took about 2 hours? some of the colours are sourced from the photo, which feels like cheating a bit. I don't know what the ethics of this whole thing are. Used a speckley brush for the tree leaves, really like the sun coming through the leaces in the rop right, best part of the image for me. Again I can't remember the source, but it's on my computer somewhere if anyone really wants to see it.
So this isn't a specific place...and not actually a place I've ever been to. The place in general is 'a country road on a bright autumn day', and this was the best source image I could find.
Took about 2 hours? some of the colours are sourced from the photo, which feels like cheating a bit. I don't know what the ethics of this whole thing are. Used a speckley brush for the tree leaves, really like the sun coming through the leaces in the rop right, best part of the image for me. Again I can't remember the source, but it's on my computer somewhere if anyone really wants to see it.
30 Day Drawing Challenge - Day 3 - Favourite Food
Day 3 - Favourite Food.
Couldn't pick one, went with bacon and profiteroles motherfuckaa:
Kind of looks shit! But the bacon looks a little bit like bacon at least.
Couldn't pick one, went with bacon and profiteroles motherfuckaa:
Kind of looks shit! But the bacon looks a little bit like bacon at least.
30 Day Drawing Challenge - Day 2 - Favourite Animal
So I decided it wouldn't hurt to do this. I only discovered it today (Aug 22nd) after completing a self-portrait I've decided to skip day 1, and move on to to day 2 - favourite animal:
So there it is. It's an octopus. I drew it from a source image, but can't remember where I found it. Probably page 1 under google image search for 'octopus' so go there if you want it.
Took about an hour I think? I like how it came out anyway. Painted it all on one layer like a moron. Lesson learnt.
Self-Portrait
I got bored and decided it was time to pick up the tablet again...and this was the result.
First self-portrait I've ever done, took me 5 days in total, I'd guess-timate about 20-30 hours. I'm pretty pleased with how it turned out, considering I've not done any painting for about 4 years now.
I think this has woken up 'the artist in me' again any how, and I feel like getting back into digital art. I will now be using this blog as a documentation of that progress.
Tuesday, 24 April 2012
Client Project #10: Final Project
Below is the completed version of my client project:
The above video is represents the alternative proposal I had to put forward when I came to problems with previous project.
Overall I am quite pleased with how the final version has turned out, I think the content within the final video strongly reflect the aims mentioned in my proposal.
Following from this I will write a 3,000 word evaluation detailing my thoughts on this project and what might I change if I were to ever do it again.
The above video is represents the alternative proposal I had to put forward when I came to problems with previous project.
Overall I am quite pleased with how the final version has turned out, I think the content within the final video strongly reflect the aims mentioned in my proposal.
Following from this I will write a 3,000 word evaluation detailing my thoughts on this project and what might I change if I were to ever do it again.
Saturday, 14 April 2012
Client Project #9: Solutions Appear
"Student Living" Proposal
Introduction &
Summary
This project consists of a short documentary piece focusing
on a small group of students living within Nottingham, focusing on their
thoughts and opinions on university life. This documentary will focus on an
intimate perspective into student culture and university life, offering
perspectives on the current job market post-education and if higher education
fees will discourage future students from coming into higher education.
The resulting documentary will be displayed on the
exhibition circuit, (SoHo shorts, Encounters Festival, Exposures film Festival)
with a final cut time just under ten minutes in length. An additional longer
cut may also be exhibited should there be interest for one at a later time.
Problem Statement
Nottingham is very much so a city built upon its student
culture. With a population that changes drastically each time students come and
go over half terms and summer breaks, a reduction in student numbers means a
reduction of customers for many local businesses.
As the government has recently voted to increase the basic
costs of higher education to almost £9,000 a year, this will surely be a factor
that effects how many students decide to make a move into Nottingham in the
next couple of decades. This reduction in incoming students is effectively
going to severely affect many local businesses that depend on students numbers
and will also affect the a large percentage of students that won’t be able to
afford higher education with increased fees.
Purpose of film
The purpose of this film is to make people aware of how government
money is being used to bring young people through higher education and out into
the real world. This documentary will question whether higher education organizations
in their current state can suitably bring a generation of people into a future
career that will benefit the economy.
Is it academia in its current state a model that successfully
educates an entire generation of young people?
This documentary is topically relevant as it also explores
how an increase in tuition fees will affect the next generation of students
coming through the ranks.
The aim is to spread awareness of the current education
model in the UK and how effective it actually is. With a growing sub-culture of
binge drinking being fast tied to student subculture, can an institute of
academia effectively serve as a place of education and a platform for partying
and socialising?
Who is your audience?
My audience primarily begins with anyone that lives in the
Nottingham area, or anyone who might be interested in student culture.
As higher education is something that a lot of people in the
UK can relate to, through either direct experience or knowing someone that is
in higher education, the audience can be seen as quite a varied group.
Realistically, it will most likely appeal to people who are
14, as this is the age people are starting to think about higher education and
if it’s right for them. Parents of children thinking of applying may also be interested
on perspectives that current students can offer on the education climate.
Why I’m interested in
this project
First and foremost, I am interested in this topic as a
student myself. As someone who has over £20,000 who student loans now to my
name, it is important to start examining whether or not this is a system that
is going to produce a generation of educated people that will make a real
benefit on the future.
As a student that also has a younger sister that is about to
come through higher education, this is a topic that personally affects people
that are close to me.
Arguably the fore front of any government would be a focus
on improving education standards and making sure they can provide a system that
will secure the future of the country’s economy.
Looking back to my parent’s generation, when students could
get grants that effectively covered most of their education costs, there seemed
to be a much larger incentive for people to go into higher education.
By increasing the cost of education, a plan that seems to be
long term, in an effort to generate more interest from holdings by the
government, it’s important to question why an increase in government revenue
would be valued over accessible education for several generations.
There’s also the question of whether or not the current
system of education is an effective one that can successfully raise job
prospects and new business opportunities for students who go to university.
Brief Strategy - a
description of the approaches
The core elements of this documentary will focus on people I
have met at university who I believe will be suitable candidates for the
documentary. Overall I will focus on no more than four people, as the ultimate
aim is to have a film under 10 minutes,
I believe this will allow sufficient time for each person’s responses.
I will film most, if not all of the documentary around a
student house, to allow to candidates to be filmed in their own environment and
to ensure they are comfortable in front of the camera. This will also provide a
suitable back drop, as the sub focus will be on student life style.
Production plans and
timeline
As this is a revised project and proposal, there will be
certain time constraints to work towards and focus on. The primary of these is
the project deadline on the 26th of April. After this are the
various deadlines for festivals and exhibitions.
This project will be filmed on the 16th January
and edited in the following week. With a
wrap date set for the 20th of April the documentary will be
completed and finished in time for the hand in and subsequent exhibition
deadlines.
Equipment & Crew
The documentary will be shot on a Canon D7, using a 60mm
lens and an 18-135mm lens. The choice of this equipment is so to achieve a
‘look’ that is often associated with modern documentary work. This filming
equipment is small and discrete and will be easy to move about in small
internal spaces. Cameras will be used with a steadicam for hand held shots and
use fixed tripod for more conventional shots.
Footage shot will predominately be shot around interior
lighting, but a small external lighting kit will be used to assist in any shots
that need any extra lighting.
Audio will be captured separately on radio microphones to
achieve the best possible sound quality.
I will shoot the documentary and also be responsible for
audio capture and the final editing sequence.
All equipment will be hired for free provided as we are
using facilities provided by Nottingham Trent University.
Deliverables &
Funding
The resulting piece of work will be issued in several
formats, according to various exhibition guidelines.
Ultimately it will be also burned onto DVD, which will be
delivered to Nottingham Trent, and a copy will also be hosted online via
Youtube.
Most costs associated with this film will be regarding entry
to exhibitions, which will be provided personally by the filmmaker.
Any costs for hire of equipment will be negated by using the
equipment store provided by Nottingham Trent for free.
Costs and closing
statement
All costs will be dealt with by the filmmaker and the
project will effectively be self-funded.
The client agrees that by reading this document they agree
to the plans proposed, deliverables proposed and dates laid down for delivery.
I the client (Danny
Kaye) agree to the terms laid down in this contract and by signing this I
acknowledge that no further changes can be made to the project proposal after
this date.
Friday, 13 April 2012
Client Project #8: Problems Arise
So yesterday was meant to be the day I was meeting with Debbie Bryan and hopefully Amanda Briggs-Goode.
I sent several emails to both parties over the half term break, hoping to get some confirmation that April 12th is still a good day to film.
As of yet, I have received no reply from either Debbie or Amanda. At the moment I can only assume that Amanda and Debbie are too busy to commit to filming. Past meetings with Debbie have had to been made a month in advance and I unfortunately do not think I will have enough time to take these delays into consideration and finish my film on time. While Amanda is more available to meet, I have not heard back from her and can only assume she is too busy with her work to afford time to film.
This puts me in a bit of a tricky position, in the respect that up until now the core of my documentary work has revolved around meeting with the both of them and I will not be able to meet deadlines if I delay filming any further.
*
I have proposed then to alter the course of my project in a way that will allow me to film and meet deadlines set by the course and various film festivals.
The nature of my project will change to the matter that it will still be a documentary piece, but set around a different subject.
I have been writing an alternative documentary piece that is still set in Nottingham but does not concern the lace industry.
The project I have been working on is called 'Student Living' and is a short sub 10 minute piece, that gets to know four different students and their thoughts / opinions on university life.
I have put forward an alternative proposal that takes into consideration this alternative project, and hope it reflects an evolution in this journey, that has been unexpected, but well accommodated. This proposal will be documented in my next blog entry.
I sent several emails to both parties over the half term break, hoping to get some confirmation that April 12th is still a good day to film.
As of yet, I have received no reply from either Debbie or Amanda. At the moment I can only assume that Amanda and Debbie are too busy to commit to filming. Past meetings with Debbie have had to been made a month in advance and I unfortunately do not think I will have enough time to take these delays into consideration and finish my film on time. While Amanda is more available to meet, I have not heard back from her and can only assume she is too busy with her work to afford time to film.
This puts me in a bit of a tricky position, in the respect that up until now the core of my documentary work has revolved around meeting with the both of them and I will not be able to meet deadlines if I delay filming any further.
*
I have proposed then to alter the course of my project in a way that will allow me to film and meet deadlines set by the course and various film festivals.
The nature of my project will change to the matter that it will still be a documentary piece, but set around a different subject.
I have been writing an alternative documentary piece that is still set in Nottingham but does not concern the lace industry.
The project I have been working on is called 'Student Living' and is a short sub 10 minute piece, that gets to know four different students and their thoughts / opinions on university life.
I have put forward an alternative proposal that takes into consideration this alternative project, and hope it reflects an evolution in this journey, that has been unexpected, but well accommodated. This proposal will be documented in my next blog entry.
Thursday, 8 March 2012
Client Project #7: Meeting with faces
Over the past couple of weeks I have been maintaining email contact with Debbie Bryan and Amanda Briggs-Goode, two people who I believe will be important parts of the final documentary piece.
Today I met with Debbie at her store in the lace market in Nottingham.
Our interview lasted just over half an hour and we covered a variety of topics.
Below are some pictures I took from inside her shop:
I asked Debbie if she would be comfortable being in front of a camera and she said that she would not. This appeared as something as a problem for me as I had imagined a 1 on 1 interview where the viewer can clearly see the interviewee's face.
I mentioned this would not be a complete problem however, as the interview could be done via audio and I can use shots of her shop over the top of the interview. I am skeptical to how well this will work, but for now it is the only other option.
Due to Debbie's busy schedule, running and maintaining a shop, she does not have much free time when it comes to arranging a main interview.
However we both agree to the 12th April 2012, 8 am in the morning. Her shop does not open til 9:30 and this will give me an hour and half to get in, get the footage I need and interview Debbie. This should be enough time.
Before I leave we get on to the topic of Fewkes embroidery and Debbie mentions that she is quite close with the Povey brothers. I ask her if she thinks they may be interested in taking part in my documentary, as I am still having no luck getting in contact with them.
Debbie says that she thinks they may not want to talk about Fewkes Embroidery (Fewkes was shut down and demolished last autumn) as the subject is still a fresh wound for them and may be too difficult to mention.
I understand the sensitivity of this topic and decide not to press her any further, but do ask to email them and ask if they will consider.
*
After my meeting with Debbie I send an email to Amanda Briggs-Goode, I inform her that I will be filming on April the 12th and ask her is she would be interested in being interviewed later on in the day. This way I can get the majority of my filming done in one day and I will have three weeks to edit footage I have assembled in order to meet the Soho Shorts deadline.
Today I met with Debbie at her store in the lace market in Nottingham.
Our interview lasted just over half an hour and we covered a variety of topics.
Below are some pictures I took from inside her shop:
I asked Debbie if she would be comfortable being in front of a camera and she said that she would not. This appeared as something as a problem for me as I had imagined a 1 on 1 interview where the viewer can clearly see the interviewee's face.
I mentioned this would not be a complete problem however, as the interview could be done via audio and I can use shots of her shop over the top of the interview. I am skeptical to how well this will work, but for now it is the only other option.
Due to Debbie's busy schedule, running and maintaining a shop, she does not have much free time when it comes to arranging a main interview.
However we both agree to the 12th April 2012, 8 am in the morning. Her shop does not open til 9:30 and this will give me an hour and half to get in, get the footage I need and interview Debbie. This should be enough time.
Before I leave we get on to the topic of Fewkes embroidery and Debbie mentions that she is quite close with the Povey brothers. I ask her if she thinks they may be interested in taking part in my documentary, as I am still having no luck getting in contact with them.
Debbie says that she thinks they may not want to talk about Fewkes Embroidery (Fewkes was shut down and demolished last autumn) as the subject is still a fresh wound for them and may be too difficult to mention.
I understand the sensitivity of this topic and decide not to press her any further, but do ask to email them and ask if they will consider.
*
After my meeting with Debbie I send an email to Amanda Briggs-Goode, I inform her that I will be filming on April the 12th and ask her is she would be interested in being interviewed later on in the day. This way I can get the majority of my filming done in one day and I will have three weeks to edit footage I have assembled in order to meet the Soho Shorts deadline.
Thursday, 26 January 2012
Client Project #6: Possible Festivals and competitions
The nature of this project has been established in a way that my final project will be uploaded to several different festivals and exhibitions. Below are a number of competitions I have been considering for my project:
Soho Film Shorts
Rushes Soho Shorts is a competition that is structured around first time film makers who are newcomers to the exhibition circuit. They have several different awards that cover various areas in film making, amongst which is the documentary award.
Deadline
4th May 2012.
Format
"You have two options for submitting your film.
"Encounters Short Film and Animation Festival is the UK’s longest running competitive short film and animation festival. The festival presents one of the world’s best-known showcases and meeting points for emerging talent, and seeks to promote the importance of short film as a means to develop the next generation of filmmakers and animators."
Deadline
6th June 2012
Format
Submissions can be entered physically and digitally.
Student Film Festival London 2012
Exposures Film Festival
Soho Film Shorts
Rushes Soho Shorts is a competition that is structured around first time film makers who are newcomers to the exhibition circuit. They have several different awards that cover various areas in film making, amongst which is the documentary award.
Deadline
4th May 2012.
Format
"You have two options for submitting your film.
-
Our preferred method of entry is you uploading
your film here. You can upload a Windows Media or quicktime file
directly to our server. We recommend encoding your file with a bitrate
of 1 megabit/s. Note that file sizes larger than 100MB may not be
accepted. Depending on the speed of your network connection uploading
the file may take some time. Don’t try and upload a full
broadcast-quality copy of your film – it just needs to be good enough
for viewing – if your film is shortlisted you will be asked to provide a
broadcast quality copy on digital beta or HD cam...
-
You can send a physical copy of your film on DVD.
Once you have completed your online submission form you can mail us
your DVD. You should be sure to mark the DVD with your reference no.,
name of the film, contact name, email and telephone number then send it
to: Rushes Soho Shorts Festival, 66 Old Compton Street W1D 4UH.
Please do not put address labels or stickers on your DVD - it will
disturb/ unbalance the playback ability on the DVD and may prevent us
from watching the film. If you can’t write on the DVD itself, write the
details on the DVD case."
Entries must be under 15 minutes in length."Our preferred technical spec is listed below, and should your film be shortlisted we would require this format.
However your initial upload could be as AVI MP4 WMV MOV MPEG formats if easier.
Video- h.264 / AVC 900Kbps CBR
- 640x480 (4x3) / 640x360 (16x9) square pixel
- AAC audio 96Kbps CBR
- mp4 container (.mp4)
- 1Mbps bitrate total
- "Web Optimized" (moov atom at beginning of file)"
"Encounters Short Film and Animation Festival is the UK’s longest running competitive short film and animation festival. The festival presents one of the world’s best-known showcases and meeting points for emerging talent, and seeks to promote the importance of short film as a means to develop the next generation of filmmakers and animators."
Deadline
6th June 2012
Format
Submissions can be entered physically and digitally.
Student Film Festival London 2012
Exposures Film Festival
Friday, 20 January 2012
Client Project #5: Finding faces
This past week has very much been a process of finding people who would be interested in being in my documentary.
Based on my first meeting with Danny Kaye, I have emailed several original lace houses that remain in Nottingham asking if they would like to be involved with the documentary.
I think perhaps the email I sent out may have given the wrong impression because I have been met with less than enthusiastic responses.
Overall I have found three places in Nottinghamshire that still manufacture lace, but all three have showed no interest in appearing in this documentary.
I think that perhaps from the nature of my email they have implied that I am writing this documentary in a manner where I have labelled the Lace industry as something that is already dead, and cannot be saved.
One manufacturer replied with as follows:
My name is Alex Lea-Hayes and I am a 3rd year multimedia student at NTU. For a final project this year I will be producing a short documentary about the decline of the lace industry in Nottingham.
As a person involved in areas that are relevant to the subject of this documentary, I think you could be a valuable person to interview for the documentary and may even know of others who would be of interest.
If you would be interested in taking part I would ask to meet with you in the next week or so for a short preliminary discussion (15-30 minutes) and sometime in the next month to film the actual interview (30 mins-1hr). I understand you will have a demanding timetable and I will arrange to meet whenever is best for you.
If you are interested in taking part and believe it will not infringe upon too much of your free time, feel free to contact me via email or you can call me on (redacted).
Sincerely,
Alex Lea-Hayes."
*
After the unsuccessful attempts on the email front, I have arranged to set up a meeting with Amanda Briggs- Goode, head lecturer for Textile Design at NTU.
I met with Amanda on the 19th of January. Our meeting was approximately half an hour long and we covered a range of topics.
Amanda seemed interested in helping me with my documentary and has said she is also comfortable being in front of camera and has done so before.
I also found out that Amanda is the curator for the lace archive in bonnington, which may serve as an interesting place to film some locational photography.
From the meeting with Amanda I got several potential contacts that she recommended may help with filming.
Of these contacts, one person she mentioned stood out in particular was Debbie Bryan. Debbie Bryan owns and runs a small shop in the lace market that is one of the last independent design shops that makes products using lace.
I have now contacted Debbie Bryan and asked her if she would be interested in appearing in the documentary, I will post any updates as they happen.
Based on my first meeting with Danny Kaye, I have emailed several original lace houses that remain in Nottingham asking if they would like to be involved with the documentary.
I think perhaps the email I sent out may have given the wrong impression because I have been met with less than enthusiastic responses.
Overall I have found three places in Nottinghamshire that still manufacture lace, but all three have showed no interest in appearing in this documentary.
I think that perhaps from the nature of my email they have implied that I am writing this documentary in a manner where I have labelled the Lace industry as something that is already dead, and cannot be saved.
One manufacturer replied with as follows:
"We have had enough of the word "decline" and
are now hopefully on the upward phase. For this reason I am sorry to
advise we would not be a typical example for you and would not want to
waste your time."
This unfortunately, serves to be evidence of the typical responses I have received in face of my enquiry.
For context, this was the email in question, sent to several different lace manufacturers:
"Hello,
My name is Alex Lea-Hayes and I am a 3rd year multimedia student at NTU. For a final project this year I will be producing a short documentary about the decline of the lace industry in Nottingham.
As a person involved in areas that are relevant to the subject of this documentary, I think you could be a valuable person to interview for the documentary and may even know of others who would be of interest.
If you would be interested in taking part I would ask to meet with you in the next week or so for a short preliminary discussion (15-30 minutes) and sometime in the next month to film the actual interview (30 mins-1hr). I understand you will have a demanding timetable and I will arrange to meet whenever is best for you.
If you are interested in taking part and believe it will not infringe upon too much of your free time, feel free to contact me via email or you can call me on (redacted).
Sincerely,
Alex Lea-Hayes."
*
After the unsuccessful attempts on the email front, I have arranged to set up a meeting with Amanda Briggs- Goode, head lecturer for Textile Design at NTU.
I met with Amanda on the 19th of January. Our meeting was approximately half an hour long and we covered a range of topics.
Amanda seemed interested in helping me with my documentary and has said she is also comfortable being in front of camera and has done so before.
I also found out that Amanda is the curator for the lace archive in bonnington, which may serve as an interesting place to film some locational photography.
From the meeting with Amanda I got several potential contacts that she recommended may help with filming.
Of these contacts, one person she mentioned stood out in particular was Debbie Bryan. Debbie Bryan owns and runs a small shop in the lace market that is one of the last independent design shops that makes products using lace.
I have now contacted Debbie Bryan and asked her if she would be interested in appearing in the documentary, I will post any updates as they happen.
Thursday, 12 January 2012
Client Project #4: First Meeting Summary
As I have chosen to take the competition route, Danny Kaye will be acting as my client.
Today was my first meeting with Danny out of the proposed three.
The meeting began with myself quickly summarising in brief what my project is and what it involved.
"It's a brief documentary piece on the dwindling lace market in Nottingham."
DK wants know what type of process I have made over the Christmas break, in all truthfulness, not much at the moment. I'm stuck at a cross roads in where to go.
Initially I wanted the Povey brothers (former owners of Fewkes embroidery, referred to in the proposal) in the documentary, but they are proving hard to get hold of and I have begun to worry.
After the meeting I have been given a few names and places to investigate, that may help kick start my documentary:
Clooney Lace in Nottingham, they still manufacture lace using traditional methods and are one of the last remaining houses that still uses these methods.
Amanda Briggs-Goode, head lecturer for textile design at NTU and person in charge of the lace archive in Bonnington.
Today was my first meeting with Danny out of the proposed three.
The meeting began with myself quickly summarising in brief what my project is and what it involved.
"It's a brief documentary piece on the dwindling lace market in Nottingham."
DK wants know what type of process I have made over the Christmas break, in all truthfulness, not much at the moment. I'm stuck at a cross roads in where to go.
Initially I wanted the Povey brothers (former owners of Fewkes embroidery, referred to in the proposal) in the documentary, but they are proving hard to get hold of and I have begun to worry.
After the meeting I have been given a few names and places to investigate, that may help kick start my documentary:
Clooney Lace in Nottingham, they still manufacture lace using traditional methods and are one of the last remaining houses that still uses these methods.
Amanda Briggs-Goode, head lecturer for textile design at NTU and person in charge of the lace archive in Bonnington.
Friday, 9 December 2011
Client Project #3: The Proposal
Here is (in full) my written proposal for the client project:
Introduction &
Summary
This project consists of a short documentary piece focusing
on the dwindling lace industry within Nottingham. This piece will focus on
people affected by the recent closure of some of the last factories in
Nottingham and how the industry is changing.
The resulting documentary will be displayed on the
exhibition circuit, (SoHo shorts) with a final cut time under ten minutes in
length. An additional longer cut may also be exhibited should there be interest
for one at a later time.
Problem Statement
Nottingham was built upon the lace trade, becoming a world
leader in lace manufacture in the last century. At the end of the century the
UK lace industry fell into decline as lace production was sent overseas where
it could be done for a fraction of the price.
Today very few lace factories remain in Nottingham, and
practically no more remain who employ the traditional methods used in the last
century. A city has almost lost one of the backbones of its heritage.
Purpose of film
The purpose of this film is to make people aware of how the
industry has fallen into decline. Why should an industry that is still demand
today be allowed to be gutted from one country and sent abroad to cut costs?
This film will explore how people formerly associated with
the field were affected by closures of some of the last factories in
Nottingham. It will also seek to find out if things had been handled
differently in the last century, whether Nottingham could still have a lace
industry that could be economically significant.
As other industries today make their way across the pond for
greater profits, people are sold into unemployment and a piece of English
culture is taken away.
Who is your audience?
My audience primarily begins with anyone that lives in the
Nottingham area, or anyone who might be interested in the history of the lace
industry. A lot of people will have
family who have worked or do work in the Nottingham lace, and their family will
have been affected at some point by the decline of the industry.
This documentary will no doubt be aimed towards older
audiences as I do not think children will be as interested. Audiences will
realistically be in the range of 18 and above. I think there will be more
interest from 25 onwards, especially from people who work in industries that may
also be in decline at the moment.
Why I’m interested in
this project
I first gained interest in the subject when I read an
article about one of the last remaining traditional Lace embroidery factories
in Nottingham.
Fewkes embroidery was one factory among a number of lace
giants that supplied Great Britain and the rest of the world with a trade that
was in high demand. As the industry was sent overseas, many factories fell to
the way side and began to shut down. As more factories began to close, fewer
and fewer companies remained that made lace using the traditional methods.
This process continued until Fewkes was the last lace
factory in Nottingham making lace using the traditional methods still in
operation to this day.
I first read this article in August 2010 and it sparked
interest in me as soon as I read it. Up until now I had not an opportunity to
pursue but now saw a better chance than ever.
My initial intentions were to produce short documentary
focusing on Fewkes Embroidery and film around a factory that is the last
remnants of a dying trade. That is until I found out the factory had been
demolished in August 2011 and the Fewkes embroidery was unexpectedly closed
down.
This threw a spanner in the works to speak and I assumed the
project was ruined, until I realised that this closure was actually just
another part of the bigger story. The people affected by this closure and
similar factories that try to keep from this same fate will be the centre of
this story.
Brief Strategy - a
description of the approaches
The core elements of this documentary will focus on the
Povey brothers, the former owners of Fewkes embroidery. By talking and meeting
with the brothers I have established a connection that will allow me to
interview them for this documentary.
From this point, smaller companies who are still in the
industry will also be the focus of the documentary. An ad will also be placed
in the paper asking for people who have been directly affected by the decline
of the Nottingham industry, I expect there will be a wealth of stories to
choose from.
Production plans and
timeline
The primary competition I will focus on entering is called Soho
shorts. The deadline for application in 2012 is the 5th of April. It
is essential then the project is finished before this.
Filming will begin in the last week of January and is
scheduled to finish by the second week of February. The first three weeks of
January will be spent organising shoot dates and meetings with people
interested in being interviewed for the project.
After filming wraps at the start of February, the clips
accumulated will then be sorted through and an edit will be produced. The final
project should be finished by the start of May and any final adjustments that
need to be made can be done so I time for the 5th of April.
Equipment & Crew
The documentary will be shot on a Canon D7, using a 60mm
lens and an 18-135mm lens. The choice of this equipment is so to achieve a
‘look’ that is often associated with modern documentary work. This filming
equipment is small and discrete and will be easy to move about in small
internal spaces. Cameras will be used with a steadicam for hand held shots and
use fixed tripod for more conventional shots.
Footage shot will predominately be shot around interior
lighting, but a small external lighting kit will be used to assist in any shots
that need any extra lighting.
Audio will be captured separately on radio microphones to
achieve the best possible sound quality.
The project will be primarily shot by a small team
consisting of two people, with myself acting as the documentary writer and
scheduler and an assistant acting as the camera and audio assistant.
All equipment will be hired for free provided as we are
using facilities provided by Nottingham Trent University.
Deliverables &
Funding
The resulting piece of work will be issued in several
formats, the first and foremost being a DVD. From one copy will be issued to
Soho shorts and 1 copy issued to Nottingham Trent University.
The film will also be hosted online, on sites Youtube and
Vimeo.
Copies of the film and appropriate documentation will also
be sent to various film exhibitions suited for amateur film makers. Additional
copies may also be distributed to Nottingham Heritage Council, to raise
awareness and further promote the traditional craft that built Nottingham.
Costs and closing
statement
The main cost of this project is the entry fee for Soho
Shorts which is £10 for students. For the rest of the projects main costs will
be accumulated by travel, which is estimated to be no more than £50 in the two
weeks of proposed filming.
All costs will be dealt with by the filmmaker and the
project will effectively be self-funded.
The client agrees that by reading this document they agree
to the plans proposed, deliverables proposed and dates laid down for delivery.
I the client (Danny
Kaye) agree to the terms laid down in this contract and by signing this I
acknowledge that no further changes can be made to the project proposal after
this date.
Saturday, 22 October 2011
Client Project #2: Simulated Client Update
Here is my final video for the simulated client project (will upload a link at a later time) :
Learning how to make Kinetic Typography was a challenge, but I think it has turned out well for a first attempt. There is definitely a steep learning process involved if you are not familiar with software required (in this case I used Adobe Elements) but once you get into a flow of things the process is actually quite easy.
If I was to do this again I'd change a number of things:
1. Slow down the how fast I read the script
2. Find a more appropriate Codec to publish in.
I can't remember the initial codec I went with, but the project playback was choppy and it weakened the effect of the video. I then re-encoded to H264 and saw a little more success but there were still problems.
3. Develop a more detailed storyboard for the camera.
I'd say a mistake was not having a proper storyboard for the camera. The piece does revolve around a key word structure (below):
But I didn't actually consider how the camera would move around the stage. I think this is why the piece may be a bit hard to keep up with in places and read.
Overall I enjoyed doing this project, I think I will experiment with Kinetic Typography again, and be able to create something better thanks to this experience.
Learning how to make Kinetic Typography was a challenge, but I think it has turned out well for a first attempt. There is definitely a steep learning process involved if you are not familiar with software required (in this case I used Adobe Elements) but once you get into a flow of things the process is actually quite easy.
If I was to do this again I'd change a number of things:
1. Slow down the how fast I read the script
2. Find a more appropriate Codec to publish in.
I can't remember the initial codec I went with, but the project playback was choppy and it weakened the effect of the video. I then re-encoded to H264 and saw a little more success but there were still problems.
3. Develop a more detailed storyboard for the camera.
I'd say a mistake was not having a proper storyboard for the camera. The piece does revolve around a key word structure (below):
But I didn't actually consider how the camera would move around the stage. I think this is why the piece may be a bit hard to keep up with in places and read.
Overall I enjoyed doing this project, I think I will experiment with Kinetic Typography again, and be able to create something better thanks to this experience.
Saturday, 15 October 2011
Client Project #1 : Simulated Client
We have been approached and asked to create a short advertisement for the NTU Alumni foundation.
We were given a little bit of information about the foundation and what they do (more information here).
With a focus on charity work and giving back to those who are financially not as prepared to go to university, the Alumni foundation has asked us to produce a short media piece spreading awareness about the program.
I have decided to put my focus on the money that the Alumni Foundation provides for cancer research.
As a moving image student, I figure I can approach this in either two ways.
I can approach this project in the form of a short topical and informational video like below:
I have however developed an interest in another area of moving image, that I think could use to send an appropriate message for the Alumni Foundation.
This area is known as Kinetic Type:
I think considering the quick 2 week turn around for this project, I will have more time to develop a strong piece that is centered around Kinetic Typography, than I will have to film and edit a strong and topical film.
We were given a little bit of information about the foundation and what they do (more information here).
With a focus on charity work and giving back to those who are financially not as prepared to go to university, the Alumni foundation has asked us to produce a short media piece spreading awareness about the program.
I have decided to put my focus on the money that the Alumni Foundation provides for cancer research.
As a moving image student, I figure I can approach this in either two ways.
I can approach this project in the form of a short topical and informational video like below:
I have however developed an interest in another area of moving image, that I think could use to send an appropriate message for the Alumni Foundation.
This area is known as Kinetic Type:
I think considering the quick 2 week turn around for this project, I will have more time to develop a strong piece that is centered around Kinetic Typography, than I will have to film and edit a strong and topical film.
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